Long Exposure Photography

Long exposure photography is  recently very popular , due to the dramatic effects produced with the technique. The advent of more advanced digital cameras have made it much easier to produce these images, since the calculations, guesswork and luck have mostly been eliminated from the process.

Long-exposure, time-exposure, or slow-shutter photography involves using a long-duration shutter speed ( from 1/15 of second to minutes ) to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements. Long-exposure photography captures one element that conventional photography does not: an extended period of time.


4 Second exposure to get the blur effect of this fountain on lake Geneva


As mentioned Long exposure is achieved by using slower shutter speed and this longer exposure times allow you to capture clouds, water, or other moving objects in a smooth, flowing manner, while maintaining sharpness and clarity on still objects.

One of the post important aspect to get longer exposure is  to shoot during early morning or late evening when light is little low; However we can also use an ND filter (Neutral density filter ) , which actually cuts down the exposure.

A neutral density filter essentially allows for this extended amount of exposure time, without altering the hue or colour of the image. Adding the filter is equivalent to stopping down one or more f-stops, and allows you to avoid making the photo too hot/bright due to the amount of time the shutter will be open.

Again as I said If you don’t have a ND or polarizing filter available, you’ll need to attempt these captures in lower light, such as in the early morning or late evening . Many photographers use long exposures to capture shots at night also!

Here the main objective is to increase your exposure time for the shot without overexposing the image!

Whether you use ND or get up early in the morning  using a “Tripod” is a must as these shots involve too much open shutter time to attempt holding by hand.


1/5 Second exposure , this was shot around 3 PM , so had to use ND Filter


How to start ( Some Tips )

Begin experimenting with very small apertures during the golden hour (the hour before sunset or after sunrise) such as f/22 or higher, and bump the aperture up to f/8 or larger after night falls.  Please note You’ll end up with several attempts, since nailing a great exposure is largely trial and error. You’ll also need to play around with exposure times, and this depends on what moving object you are capturing.


30 Second exposure to capture moving vehicle tail lamps at KR Circle Mysore


2.5 Second exposure to capture the flowing water


Waves at 1/6 second exposure


1.6 second exposure to capture the BG water stream


Clouds need much longer times to properly capture their trek across the frame of the shot; 5 minutes is a good place to start. Rolling or crashing waves at a beach require much less, sometimes 15 to 30 seconds is enough to create the necessary motion in the image.


20 second exposure at shiva temple Hampi , lit by a flash ( Light Painting )


Due to the sensitivity of the camera during exposure times of this length, a remote shutter release would come in handy. Anything you can do to minimize shake will help preserve the sharpness of the non-moving elements in the photo.


1/2 second exposure to create a blur effect of the moving mist on a lake


1 second exposure to capture the moving mist on a lake


Finally, be sure to do some pre-planning before actually clicking the shutter; try to visualize what the motion of all elements will be in your composition, including flowing elements (clouds, water, car lights), and still elements (rocks, buildings). This can help you better determine what settings you’ll need to capture the image you see in your mind


1/6 second exposure to capture movement of waves


0.4 second exposure to capture moving waves


0.6 second exposure to capture moving waves


Thanks if you like the blog, you can leave a comment at Home Page

Cheers

Goutham Ramesh

Hyperfocal Distance – A required technique in Landscape Photography

Hyperfocal distance can be a confusing topic, both for beginning and expert photographers. However, if you want to take the sharpest possible images, particularly landscape photographs, it is simply invaluable. In this blog I will try to demystify this topic.  

Please Note : Please note: Although the methods I present in this Blog are quite easy to understand, hyperfocal distance itself can be a complex topic. If you are a beginner, I highly recommend reading about aperture and depth of field before you delve into this Blog. Please read about exposure , aperture , shutter speed and ISO  here!

What is Hyperfocal Distance?

  • Hyperfocal distance, at its simplest, is the focusing distance that gives your photos the greatest depth of field. 
  • Hyperfocal distance is a distance beyond which all objects can be brought into an “acceptable” focus.
  • Hyperfocal distance is the focusing distance that provides equal sharpness between the foreground and background.

Role of Aperture

  • Hyperfocal distance of your lens will vary with aperture. Why? Think about it like this – if your aperture is wide, such as f/2, you will need to focus quite far away for objects at infinity to appear in focus. However, at a small aperture of f/11 or f/16, distant objects will continue to be sharp even if your lens is focused more closely. So, in this case, hyperfocal distance moves closer to your lens as you use smaller apertures.

Role of Focal Length

  • Hyperfocal distance of your lens will vary  with your focal length ,Your focal length also has a huge impact on hyperfocal distance. As you zoom in, your hyperfocal distance moves farther and farther away. For a 20mm lens, you may need to focus just a few feet from your lens to get the horizon (distant background at infinity) acceptably sharp. On the other hand, for a 200mm lens, your hyperfocal distance may be hundreds of feet away.

When to Use Hyperfocal Distance?

Not all photographs require that you focus your lens at its hyperfocal distance. Consider, for example, an overlook of a distant mountain. If you are standing on the top of the overlook and there are no objects in your foreground, it would be silly to try and calculate the hyperfocal distance, since your nearest object is effectively at infinity. Just focus on the distant mountains! And your aperture does not really matter either – since the closest object is so far away, you could shoot wide open if you wanted to (probably not a very good idea, since most lenses aren’t as sharp at wide apertures, but this is just in theory). Hyperfocal distance is only important to calculate when you have objects both close and far away from your lens that need to be sharp. Since you are actually focusing between these objects, neither is “perfectly” sharp; they are both simply close enough, or “acceptably sharp.”

Using a Hyperfocal Distance Chart.

One way to calculate Hyper focal distance is to use a chart , here is the chart for calculating hyperfocal distance

15mm at F16, HyperFocal distance of 2.5 FT

Here the Idea was to use stones in the water to be in sharp focus along with subjects in infinity . Shot at 15mm at F-16 made sure the stone was beyond 2.5 ft ( Refer the cart above )

Using Apps.

FotoTool ( Android ) :

FotoTool is a free application that contains several useful tools for both amateurs and professional photographers, This includes a tool to calculated HyperFocal distance.

https://play.google.com/store/apps/details?id=com.alfbishop.software.fototool&hl=en_US&gl=US

Simple DoF Calculator (iOS)

Simple DoF Calculator allows photographers to calculate the depth of field and hyperfocal distance for any given settings.

https://apps.apple.com/us/app/simple-dof-calculator/id301222730

How to use Hyperfocal Distance

  1. Choose a lens, and be sure to note the focal length that you are using.
  2. Pick an aperture value.
  3. Find the hyperfocal distance that corresponds to your chosen focal length and aperture.
  4. Focus your lens at the hyperfocal distance. This can be done by estimation, or by the focusing scale on your lens (if you have one).
  5. Now, everything from half that distance until infinity will be sharp.

Some Pictures using Hyperfocal distance

11mm at F22 , Hyperfocal distance of 1 ft

This is 11mm at F22 , Hyperfocal distance of 1 Ft .. So made sure the leaf is one feet away from the camera

15mm at F8, HyperFocal distance of 5 FT

This is 5mm at F8 , Hyperfocal distance of 5 Ft , so made sure the rock is on5 feet away from the camera


Credits

https://photographylife.com/landscapes/hyperfocal-distance-explained

https://en.wikipedia.org/wiki/Hyperfocal_distance

Thanks if you like the blog, you can leave a comment at Home Page

Cheers

Goutham Ramesh

Magical Munnar with Vismaya group

I have been part of team Vismaya, which propagates the thought of helping the needy using our photography skills.  We do conduct photography exhibitions of our pictures and entire income from sales is donated for a cause.

As part of process of making pictures we do go on trips to make pictures; One of our annual trips is a to a beautiful place called Munnar ( We started visiting this place in 2012 ) and this blog is about Munnar and some of the pictures that I have taken at this beautiful place.

Team Vismaya in 2012 AD: ( L-R) Amar, Vinod Balan, Myself, Murali, Venu
Team Vismaya in 2020 : (L-R) Harish, Myself, Amar, Venu, Vinod, Murali ( Sridhar is missing )
Team Vismaya in 2020 Munnar trip : (L-R) Amar, Murali, Harish, Myself, Venu, Sisir)

Munnar

Munnar rises as three mountain streams merge – Mudrapuzha, Nallathanni and Kundala. 1,600 m above sea level, this hill station was once the summer resort of the erstwhile British Government in South India. Sprawling tea plantations, picturesque towns, winding lanes and holiday facilities make this a popular resort town. Among the exotic flora found in the forests and grasslands here is the Neelakurinji. This flower which bathes the hills in blue once in every twelve years, will bloom next in 2030. Munnar also has the highest peak in South India, Anamudi, which towers over 2,695 m.

Trip Route:

Our trip usually starts with a date and checklist by Amar which gives a fair indication of what to carry and what to do. We start from Bangalore and reach Munnar on the same day. The route we usually take is shown below

  • Take Hosur Rd, Bengaluru – Chennai Hwy/Electronic City Flyover/Hosur Rd in Bommanahalli.
  • Follow NH 44 and NH544 to Mangalam Rd/Tiruppur – Vanjipalayam – Avinashi Rd in Avinashi. Exit from NH544.
  • Follow Mangalam Rd and Udumalpet – Palladam Rd to Munnar – Udumalpet Rd in Nullatanni, Kannan Devan Hills.

Team’s Kit:

Apart from our equipment considering that we shoot pretty much whole day starting  as early as 3.00 AM we do carry portable kitchen with stove , table, chair water and lot of ready to cook stuff ( These not only help us survive very cold temperatures , it also fills our stomach and is fun )

Maggie on the road
Chef Sisir and Harish, Munnar
Refreshments on the way

Our Typical Day in Munnar

3.00 AM – 6.30 AM, Top Station: Subjects include Milky way, Sun Kissed peaks , Mist and dawn.

Milkyway , Tops tation
Milky Way Top Station ( There is also a head light lit mist which looks like fire in the distance )
Sun lit peak, Top Station
Above the clouds , Top Station
Top Station after sun rise, we are still above the clouds

6.30 AM – 11.00 AM, Kundala Dam: Subjects include curvy roads, Misty Lake, Misty Canopy and Mountains.

Mist Covered Kundala Lake
Vinod Balan , contemplating a composition
Boats at Kundala
Mist Covered Canopy
Early Morning Mist and Mountains
Sisir thinking about composition
Venu Shooting Lone Tree
Myself at Lone Tree
The result!

11.00 AM – 2.00 PM, Hotel: This is where we cook our own food and discuss the day’s shoot mistakes and what we can do better next day and plan for next day and catchup with sleep

Harish and Murali reviewing images and discussing next shoot

3.00 PM – 7.00 PM:

  • Travel to Devikulam tea gardens, scout for places with sun rays and also shoot sun set.

OR

  • Shoot The sunset at Kundala Dam or Echo point
Tea gardens of Devikulam
Rays and Tea Garden
Rays
Trees and Garden
Sunset on the way to Munnar from Devikulam
Sunset and Kundala
Boats during Sunset at Kundala

7.00PM – 12.00 AM, Top Station: Shoot Star Trails.

Star Trail Munnar
Star Trail Munnar

Link to Star Trail Photography Blog

https://gouthamramesh.com/2021/08/star-trails-photography-method/

12.00 AM – 3.00 AM, Hotel: Much needed rest.

Usually we repeat this every day and plan to shoot differently every day and being in mountains the weather is unpredictable, so we do spend good 3 days doing the same thing.

Heading Back

Our drive back is also fun filled with a customary Masala dosa at Asai Dosa at Saravana Bhavan , Salem.

Harish with his Topi Dosa ( A type of South Indian pancake from a fermented batter of rice and lentils )

If you want a personalised photo tour and workshop at munnar in December/January you can contact me from home page!

Cheers,

Goutham Ramesh