Art and Science of Image critiquing 

Image Critique

 I have been a creator and moderator of a photo critique and sharing platform called CPA (https://creativephotoartist.org/) for last 14 years and the whole idea was to create a platform for photographers to share images and comment on them constructively. While the site has seen its good and bad days the whole crux of the platform was to provide a critique on the images and this made me wonder what is the best way to critique an image. This write up is all about science and art of image critiquing. 

In photography, we have use the term “photo critique” to judge an image and provide feedback to the photographer about that image!

Now, “judge” may be a strong word to use, but the term simply implies that we create a conclusion about something based on a standard. Now what is that standard there must be basis for that standard and what should be the basis for that judgement? 

In art forms which photography is one such form it becomes a subjective issue and we can’t keep subjectivity out of it and the same picture might be judged differently by different people. Some may critique based on technique and technicality, whereas others may use intuition. A few more will use pure bias or feelings, and there are those who will even critique based on their favourite colour. If we want to provide critique effectively, it’s good to be aware of what you’re using as your standards of judgment, even if they’re subjective. 

Is there a method? 

 Yes there is a method for giving critiques as well as receiving it and I will list out some of them. 

 For the critic: 

 First understand why you are giving a critique, here intention matters: Most of the time the author would have posted an image not only to get the viewers impression of it also to get the advice from the viewer with respect to what it means to him and how a picture can be improved. So the first intent of a person giving a critique should be as constructive as possible and explain what the pictures conveys to him and how it can be improved. Great care must be taken to avoid misunderstanding and sarcasm ( we see this a lot) , please do understand photography more or less in art form is a personal feeling, Sarcastic comment or a poorly written comment can be concluded as an assessment of the photographers ability (or lack of it) and it also reflects poorly on the critic as a person. 

 Some tips: 

  1. Study the image technically as well as aesthetically and take your time to understand the reasons behind the shot. Also consider asking these questions “What works? and “What does not work ?). 
  2. Analyse the image based on fundamental areas ( camera knowhow, composition, lighting, visual storytelling, subject selection, post-processing, and specific areas of study). 
  3. After studying the image , list out the technical and aesthetic qualities of the image that appeal and also that do not appeal. 
  4. Start the critique by writing what you like about the image. It is a misconception that a critique should only nitpick. 
  5. List out the technical and aesthetic qualities of the image that needs improvement. 
  6. Whenever possible offer suggestions and improvements. 

 Points to avoid: 

  1. Sarcasm: Being sarcastic and taunting is a strict NO. it indicates a person with high ego and narcissistic mentality and it’s of no use to the author. 
  2. Personal comments: Avoid making personal comments on the author; an image is not an reflection of a person. In civilized world personal attacks and comments do not hold any value and will undermine your intent. 

For the Photographer: 

Let us also discuss how we should receive a critique. First understand receiving a critique is all about learning and it’s feedback to improve. 

Points to consider: 

  1. Do not post images and expect only affirmation (Great Image , Lovely etc. ). 
  2. Respect the person who is critiquing the image, after all he is taking his time to critique an image. 
  3. Leave your EGO behind: we are humans and sometimes critiques can hurt your ego especially if it is negative feedback given by someone who you do not like or whose work you do not appreciate! Please remember every viewpoint is important to improve, photography is a viewer’s art, and every view should matter. 
  4. Study the critique and do the following:
    • What does the feedback tell me about what I can improve on?
    • Based on what I need to improve on, what specific skill in photography do I need to learn more about?
    • Ask questions if you do not understand and seek help 
  5. There might be times where you do not agree, do not get into arguments take it sportively. 
  6. Remember no comments is worse than negative comments. 
  7. Get sociable. 

Credits

https://www.naturephotographers.network/the-art-of-image-critique/

https://photzy.com/learning-the-art-of-effective-photo-critique/

Thanks if you like the blog, you can leave a comment at Home Page

Cheers

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Goutham Ramesh

Pulicat Lagoon!

Flamingo

Pulicat Lagoon is the second largest brackish water lagoon in India, after Chilika Lake. Pulicat Lagoon or Pulicat Lake on  the East Coast of India is located 60 kilometres north of Chennai City, in Nellore District of Andhra Pradesh.

In this blog , I will share some pictures of birds shot from this beautiful Lagoon and the Lagoon itself

The lagoon comprises of the following regions, Pulicat Lake in Tamil Nadu & Andhra Pradesh, Marshy Wetland Land Region of Andhra Pradesh, Venadu Reserve Forest of Andhra Pradesh and Pernadu Reserve Forest of Andhra Pradesh. The lagoon is divided in the middle by Sriharikota Link Road, The barrier island of Sriharikota home to the Satish Dhawan Space Centre, ISRO separates the lagoon from the Bay of Bengal.

How to reach.

Pulicat is located 54 km away from Chennai. It can be reached in 1 hour 20 minutes. There are 2 routes to reach Pulicat. One can opt to drive via SH104. On this route, one has to follow Sydenhams Rd, Elephant Gate St and Basin Bridge Rd to Erukkancheri High Rd/Grand Northern Trunk Rd in Vasuki Nagar. From there on, you can continue onto Erukkancheri High Rd/Grand Northern Trunk Rd, 100 Feet Rd and SH 104 to Pulicat. The other route involves driving via SH 56 and SH 104.

Where to Stay

There are very options to stay at Pulicat , however if you need a comfortable stay look for hotels in Gummidipoondi / Ponneri ( 1 hr drive from Pulicat )

Hiring a Boat

I strongly recommend @pulicatlakeboating for anyone wanting to shoot Birds in Pulicat lake. Luke and his son Franklin are experts in tracking birds and are one of the finest you can hire.

Pulicat team!
Arjun, Shooting Flamingoes

Best Time to Visit

The best time to visit Pulicat Lake Bird Sanctuary is between October to March. The temperature is mild and pleasant and makes travelling to the area easy. This is also the best time to observe the migratory birds and especially the flamingos.

Some Shots

Egret fight 

Exposure: F5.6 1/4000 , ISO 400 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6ED + 1.4 TC

Pulicat Scape with a distance flamingo

Our eye is the best camera , however we take and whatever we use .. sometimes in hazy conditions we can’t get what our eye sees.
I tried to selectively process mist using layered mist to create a almost surreal yet natural looking pulicat scape with a distant flamingo.

Exposure: F8 1/2000 , ISO 800 , Natural Sunlight.

PP: Selective processing for mist /fog

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6ED + 1.4 TC

The greater flamingos

The greater flamingo is the most widespread and largest species of the flamingo family. It is found in Africa, the Indian subcontinent, the Middle East, and in southern Europe

Exposure: F8 1/320 , ISO 800 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6E with 1.4 TC

Greater Flamingo

This is the main attraction in pulicat … these are magnificent and graceful birds .. they have inspired a ballet and many dance forms

Exposure: F8 1/400 , ISO 800 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6ED with 1.4x TC


Golden Pulicat 

Sun set is special in pulicat .. with golden hues of setting sun lighting up water … and what a way to show with a distant cormorant basking

Exposure: F8 1/4000 , ISO 800 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6E + 1.4x TC

Painted Stork against setting sun reflection

Exposure: F8 1/4000 , ISO 800 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6ED

Palla’s Gull

Pallas’s gull (Ichthyaetus ichthyaetus), also known as the great black-headed gull, is a large bird species.
This species breeds in colonies in marshes and islands from southern Russia to Mongolia. It is migratory, wintering in the eastern Mediterranean, Arabia and India. This gull nests on the ground, laying between two and four eggs.

Exposure: F5.6 1/2000 , ISO 400 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6E

Eurasian oystercatcher

The Eurasian oystercatcher (Haematopus ostralegus) also known as the common pied oystercatcher, or palaearctic oystercatcher, or (in Europe) just oystercatcher, is a wader in the oystercatcher bird family Haematopodidae

Exposure: F0 1/250 , ISO 400 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6E + 1.4x TC

The lesser crested tern (Thalasseus bengalensis)is a tern in the family, Laridae. It breeds in subtropical coastal parts of the world mainly from the Red Sea across the Indian Ocean to the western Pacific, and Australia, with a significant population on the southern coast of the Mediterranean on two islands off the Libyan coast. Accidental breeding has also been reported in Italy and France. The Australian birds are probably sedentary, but other populations are migratory, wintering south to South Africa.

Exposure: F10 1/640 , ISO 200 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6E

Tern Scape , Surrealism

Love shooting and creating scapes to show minimalist surrealism

PP: Selective processing for sunrays

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6ED + 1.4 TC

Flamingoes

Exposure: F8 1/2000 , ISO 800 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6E + 1.4x TC

Evening Pulicat Scape

This is a typical activity in a lagoon as sun goes down . PS : This is as shot not a composite 🙂

1. Painted Stork with Fish
2. Lesser terns mobbing it
3. Pelican is checking what’s the commotion

Exposure: F8 1/500 , ISO 400 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6E + 1.4x TC

Flamingoes In flight

xposure: F8 1/2000 , ISO 800 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6E + 1.4x TC

Bokeh and Heron

A good photograph is not just about subject , its about other elements too.. Bokeh is one such element .. use it to create pleasing images.

Read more about bokeh in my blog https://gouthamramesh.com/bokeh/

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6ED + 1.4 TC

Ibis

Pulicat gives you an opportunity to shoot birds almost at eye level and when you shoot a silhouette of a bird against the reflection of setting sun … you can see bokeh…

Exposure: F8 1/4000 , ISO 400 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6ED + 1.4 TC

Egret

Exposure: F8 1/2000 , ISO 400 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6E with 1.4 TC

Flamingo and Dusk

Pulicat is a paradise ,, fog in the morning can be an issue for ppl who want to shoot flamingoes .. but with certain through process you can shoot landscapes by playing with white balance

Exposure: F8 1/3200 , ISO 400 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6E

Gull with Fish

The brown-headed gull (Chroicocephalus brunnicephalus) is a small gull which breeds in the high plateaus of central Asia from Tajikistan to Ordos in Inner Mongolia. It is migratory, wintering on the coasts and large inland lakes of the Indian Subcontinent.

Exposure: F5.6 1/1000 , ISO 200 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6E

The Caspian tern 

The Caspian tern is a species of tern, with a sub cosmopolitan but scattered distribution. Despite its extensive range, it is monotypic of its genus, and has no accepted subspecies.

Exposure: F8 1/2500 , ISO 400 , Natural Sunlight.

Grear:
Nikon Zfc
Nikkor VR 200-500mm F5.6ED

Thanks if you like the blog, you can leave a comment at Home Page

Cheers

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Goutham Ramesh