Shilabhalika’s of Belur

Madanika Series collage

The sculptural details on the walls of the Chennakeshava Temple, Belur is captivating. An aesthete is often drawn to this famous Hoysala temple town.

The graceful statue of Chennakeshava, mesmerising Mohini, the details in the ceiling make the temple interiors most beautiful among the Hoysala temples.

However the  bracket figures, popularly called madanike or Shilabhalike , on the outer walls make me spend hours for their intricate details; They represent beautiful damsels in various moods representing feminine charm and grace, this perhaps are one of the best creations of the Hoysala sculptors of the Belur temple

In this blog I will show most of the madanike or Shilabhalike I captured recently! Hope you will like them as much as I did capturing them.

Darpana Sundari

This is a the most popular all the Shilabalike’s The Darpana Sundari is right at the main entrance of the temple and it is lady holding mirror in her left hand and looking at her beauty in it.

Shuka Bhashini

This is a beauty with a pet parrot talking to it .. Shuka Bhasini means sweet talker.

Playing Holi

This beautiful sculpture has her one hand damaged and missing maybe she was holding a color pump ( Pichkari ) , As per local guide looking at the smaller form on the right , filling color this might have been a figure playing holi .. so in 11-12 century AD maybe playing with colors was predominant in south india also 

Gypsy girl

This Balika has dressed like a gypsy girl as per the hair style and she has a parrot on her arm.

Balike chasing away monkey

This Balika has dressed like a gypsy girl and chasing away the monkey which is pulling her dress , the feet is decorated with anklets and toe ring like all other sculptures.. this one is just shows a very pure feminine posture.

The Huntress

A beautiful Balike aiming het arrow at a bird sitting on the canopy

Dressing her hair.

She is dressing her hair after bath. The attendants are holding flowers and toiletry. This madanika has washed her hair and is squeezing the water out of it. This depiction is seen on a sculpture inside the temple too

Thribhangi Nritya

A lady is dancing stylishly by bending her body into three portions, one from the waist downward, other from the waist to the chest and another upwards. This is said to be the most difficult one to exhibit. This is apparently one of the most difficult postures to achieve in Bharatanatyam

Drummer ( Drum Dance )

She holds in her left hand a drum and she is playing upon it with her right hand.If you look closely , the hand that is holding the drum is inside the strings that hold the membrane .. such mastery over sculpting is worth noticing

A flute player; a flautist.

She is playing on her flute. Her maid on the left side is accompanying her to the tune of the flute with her own flute

Musician, Singer

If you look closely she is singing with her mouth open and there are musicians with instruments accompanying her.

Bewitching Beauty

This is one of the most beautiful shila balika .Her hands and legs are cut out very nicely. Look at the canopy above her left shoulder. You can see a jackfruit and a fly on it ( If zoom , this picture does not do justice to this amazing art ) .

Rudraveena Player

She is a Musician . She is standing holding the instrument (Rudra veena) in her left hand. Her maids are arranging for a concert

A Curly Haired Beauty

She holds a mirror having a handle. She is arranging the curls on the forehead with her right hand finger

Beauty with a Mango

She is plucking a mango with her right hand, unfortunately not much is known, this one is damaged more than others with one hand missing and also her maids are missing.

Beauty with a bow (Archer)

Women of ancient india were skilled warriors as well , this is one sculpture of a warrior beauty with her bow , she must have been a great archer.

Drummer – Male form

This is a drummer looks like a female dressed as male or male drummer with feminine pose and ornaments or a young girl . its anybody’s guess . One thing is sure this is different from other shilabalika and stands out.

Dancer posing with drummers

This is one of many dancer shila balikes , one hand is missing and she is accompanied by drummers.

Dancer , vaishnava pose of feet with drummers

This is one of many dancer shila balikes , Beautiful feminine form with a dance pose where The feet are kept two and a half Talas apart from each other. One of them should be on the ground in the natural posture, the other is lifted and turned sideways with the toes stretched and turned towards the shin, its called vaishnava pose of feet

Like Goddess holding a rod with skull

She is like a Goddess . She holds a rod with skull at the top in her left hand and her head is dressed with a band of skulls.

Beauty with a bow, a hunter with her fellow hunters.

This is one of few shilabalika shown with a bow , here the bow is damaged , but looks more intricate , the arrow in the other hand is also damaged , the accompanying images show a female hunter with a deer kill .. It shows in 12/13 century India women also participated in hunting and were very skilled hunters . The toe is also very delicately posed .. indicating a delicate movement required for hunting … amazing.

Practicing her dance

She is practicing her dance. Her maids are helping her by playing on their instruments.

Bhasma Mohini Dance

The figure illustrates the epic story of God Vishnu who took the form of Mohini

Shilabalika Draping a saree / cloth, getting dressed 

Shilabalika draping a saree or a cloth

Getting dressed by a maid

This looks like she is a queen or princess , who is getting dressed up by a maid.

Gypsy Girl speaking.

She is holding in her left hand palm leaves and and the right hand is in speaking pose.

Shilabalika with a fan ( Mostly )

She is holding in her left hand something that looks like a banana and in her right hand a fan

Shilabalika playing Nagaveena

This madanika is holding a ‘nagaveena’. A veena with one end shaped like a snake.

Shilabalika Proud Lady

She is fully dressed and has put on all sorts of ornaments on her body. She is looking at her beauty in proud through a mirror. This madanika is called Abhimani… the proud one. Symbolizing someone who has a lot of pride in her beauty and is also very conscious of it. The sculpture at the left (at her feet), holds up a mirror but is looking away – kind of telling her ‘woman, reality check’.

Shilabalika Dancing with a imaginary flute 

Dancing with an imaginary flute ; This one has an imaginary flute in her hand. Look at the details on the ear ring , beauty

Shilabalika Dancing with Damaru

Dancing with a damaru in left hand and tala vadya in right hand

Shilabalika with hair in fine knot

She has tied her hair into a fine knot, and she is holding a mast of some kind.

Shilabalika being adorned by a toe-ring

The lady has put on her best dress and ornaments and is ready to go for a dance.This one depicts whose is being adorned by a toe-ring. she is holding onto a vine for balance.

Shilabalika Male form drummer

This is one of the few odd one out with male form , with beard and moustache playing a drum , have a look at the fingers of left hand inside the strings that hold the membrane together .. master sculpture

Shilabalika with taala vadya instrument

She is holding a playing a taala vadya instrument with other musicians accompanying her

The Arch Dancer:

The Arch Dancer, She is dancing to the tune of the fun of her accomplice on both her sides

Navaranga Pillar , Shantaladevi

This is one of the most beautiful shilabalika found inside the temple and this is of Queen Shantala devi , an expert dancer and a very able administrator and an inspiration for all shilabalikas , being a dancer she used to dance in Navaranga inside the temple and she was an Queen.

She is dancing here . See the canopy behind. She is wearing a gem just above the middle of the forehead.

Lady and her pet parrot

This Inside the temple

A lady holds a creeper in her right hand. A parrot is sitting on the fore palm of her left hand. She looks as if she is having a conversation with the parrot. She is having a bangle on her right hand and can MOVE UP AND DOWN ( Can really move !)

Kesha Shrungara:

This Inside the temple
She is wringing her hair to squeeze the water after her bath. You can see the drops of water collected at the tip of her hairs.

Gandarva Dance

This Inside the temple

She wears on her forearm, a good number of bangles, which give an impression of moving to and fro.

Thanks for patiently reading and seeing the images as I humbly bow with a sense of awe and admiration wondering at the architectural excellence of the Hoysala craftsmen! Incredible India and it shows what rich culture we come from.

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Cheers

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Goutham Ramesh

Hoysalas skilled artists of India

Hoysalas (1026 CE – 1343 CE) were a dynasty that ruled present day Karnataka, parts of Tamil Nadu and south-western Telangana; Their contribution to art especially sculpture and temple architecture is unparalleled! Their era was marked by illustrious achievements in art, architecture, and culture. The nucleus of this activity lay in the present-day Hassan district of Karnataka, India. Their  intention of surpassing the Western Chalukyan Empire (973 CE – 1189 CE) in its own sphere provided further impetus for excelling in the field of architecture.

History of the Hoysala Empire

The Hoysala rulers began as local chieftains in the hills of Western Ghats. With time, their fortune began to prosper and within a few decades they achieved the status of a powerful feudatory under Western Chalukyan Emperors. Early in the history of Hoysala dynasty, the capital of their nascent dominion was shifted from the hills of Western Ghats to Belur. The military conquests of Vishnuvardhan (1108 CE – 1152 CE) against the neighboring Chola Empire (c. 300 BCE – 1279 CE) in 1116 CE marks the first major development in the history of these dynasts. A new age ushered with Vishnuvardhan as he built the Chennakesava temple (1117 CE) in Belur to celebrate this victory; furthermore, he decided to shift the capital almost 20 km to the east to Halebidu or Halebid.

The Hoysalas gained their political freedom in 1192 during the reign of Veera Ballala II (1173 CE – 1220 CE). They soon became a leading power in Southern India and enjoyed territorial supremacy and economic well-being over the next century or so. At its height, the empire consisted of present-day Karnataka, parts of Tamil Nadu and south-western Telangana. However, invasions of sultanates from Delhi and Madurai, from 1311 CE onwards, proved fatal to the then reigning monarch, Veera Ballala III (1292 CE – 1343 CE). He eventually succumbed to these repeated onslaughts in 1343 CE.

I have tried to capture some of their architectural marvels in the following images, I would like to call this as poetry in stone.

Poetry in stone

Credits :

https://www.worldhistory.org/article/898/hoysala-architecture/

https://en.wikipedia.org/wiki/Hoysala_architecture

Cheers,

Goutham Ramesh