In India, the aim of art was never to imitate nature or to re-create reality through illusionistic devices. Rather, the goal was to produce an idealised form. Sculptors did not model their images on living beings: whether the subject was a god or a mortal, the artist strove to convey a stylised ideal. Here I present some images from Chennakesava Temple Somnathpura.
The Chennakesava Temple, also referred to as Chennakeshava Temple and Keshava Temple, is a Vaishnava Hindu temple on the banks of River Kaveri at Somanathapura, Karnataka, India. The temple was consecrated in 1258 CE by Somanatha Dandanayaka, a general of the Hoysala King Narasimha III. It is located 38 kilometres east of Mysuru city.
The ornate temple is a model illustration of the Hoysala architecture. The temple is enclosed in a courtyard with a pillared corridor of small shrines (damaged). The main temple in the center is on a high star-shaped platform with three symmetrical sanctums (garbha-griha), set in a square matrix (89′ x 89′) oriented along the east–west and north–south axes.The western sanctum was for a statue of Kesava (missing), the northern sanctum of Janardhana and the southern sanctum of Venugopala, all forms of Vishnu.The sanctums share a common community hall (sabha-mandapa) with many pillars. The outer walls, the inner walls, the pillars and the ceiling of the temple are intricately carved with theological iconography of Hinduism and display extensive friezes of Hindu texts such as the Ramayana (southern section), the Mahabharata (northern section) and the Bhagavata Purana (western section of the main temple).
The outer walls of Somnathpura temple is covered with amazing sculptures of Gods, Goddess , warriors , people and Demi Gods. Each of these sculpture is a masterpiece; Intricate carvings of necklaces , bangles , toe rings , anklets and jewellery around waists are just pure bliss; Even the waist and the navel is perfectly carved! its beauty at its best . It makes me just wonder how it would have been during its glorious days.
This is mesmerising! Look at that hand , every finger , including nails , rings are sculpted with amazing dexterity, this was good 900 years ago ;The temple was ravaged by war and time however even now this looks amazing, we can just wonder the grandeur in 12 century AD.
This is a posture which is depicted in majority of sculptures of Somnathapura.
Vaishnavam pose . in this the feet are kept two and a half Talas apart from each other. One of them should be on the ground in the natural posture, the other is lifted and turned sideways with the toes stretched and turned towards the shin. This amount of detail implies the person who sculpted this had knowledge of the Bharatanatyam , a classical and one the most expressive dance forms of south India.
There have been lots of effort to destroy these sculptures during wars of medieval India, you can see a sword impact line on this sculpture.
An intermediate yoga position involving a greater arrangement of thighs, hips, knees, ankles owing to the elevation of one foot. It is an ancient asana in yoga, predating hatha yoga, and is widely used for meditation in Hindu, Tantra, Jain, and Buddhist traditions.
Most of the sculptures in Somnathpura stand in this position with feet perpendicular to each other , the details of toe rings, anklets and even nails is something to notice and here every sculpture is decorated with these ornaments.
Krishna , or Keshava with flute , conch, Chakra and in Vaishnavam posture.
Here you can Goddess on the lap of the God and her feet on the lotus . if you observe closely you can see the lotus flower bent due to the fact there is a divine feet placed on it, What attention to detail! Blessed we are to witness these treasured art in India. Incredible India.
Amazing details on this one with every hand holding corn ( not sure i always thought corn was a later import) , lotus , chakra etc There are musicians also and again every ornament is intricately carved along with laced clothing and the position of the legs in Vaishnavam posture.
This is a classical depiction of Dancing Goddess accompanied by musicians . The size of the Goddess is big compared to others in this, probably the artist wanted to show the power of the omnipresent figuratively. The details , especially the ornaments and the feminine posture and the smile on the face is just pure beauty.
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Good Light to all,